The
popular music of today is played everywhere we go, from our cars to our coffee
shops and even our schools. While some locations may censor what they play,
there is no doubt that the lyrics we hear is affecting us. Music has
numerous positive effects, such as providing a creative space for writers,
inspiring listeners, and creating solace for those in need. Music has always
been an important part of popular culture, but as our society has progressed to
the point where 'intelligent' technological devices are literally everywhere we
turn, and one could argue that we listen to music more recurrently than any
other generation. Not only do we listen to music more, we listen the same music more. On 'pop & top
40' radio, the stations play the same songs over and over. An important key to
music, art, and literature, is that they portray our society and/or what our
society could become. Now, what is it exactly that we are constantly hearing?
Is this music truly providing comfort and insight in further ideas about the
human condition? From a feminist's perspective, this music is portraying
something important about our culture; it illustrates that equality is far from
being reached. Because, much of the music played today blatantly degrades women
and proliferates unrealistic expectations of women and their physical
appearances.
Although much of the music
playing today provides a voice to love, relationships, and even fun, it also
provides a voice for sexism and unabashed disrespect. This music exposes the ever-present
sexism that still exists today. One blaringly shocking example, a song which
made the Billboard Top 40, is "No Mediocre" by artist (if you call
this art) T.I. (pictured, left) The song is so blatant in its sexism, it is difficult to
comprehend how it made it to the top 40- it is problematic for many, many reasons.
At its base, the song propagates the idea that women are only valuable for the
physical attributes, if not, they must be considered 'mediocre' or lacking in
some way. In the song, the rapper states that "Pretty face, fat a**, if
she don't have one of these, well I think I'll pass" and he describes
himself on vacation, saying "I'm in Brazil with a b****, Catch me in a
mansion in the hills with a b****, Get her out dem tennis shoes, Throw some
heels on a b****". First of all, T.I. states that the only criteria that
he looks for are a woman's physical attributes. The only criteria. Not a
combination of her golden tresses and her master's degree in electrical
engineering, just her appearance. This propagates the idea that a woman does
not hold value outside of her appearance- this in a time when we are trying to
encourage women to explore relatively 'new' fields for women, such as
engineering, computing, and other sciences and to reach beyond the established
norms, to become leaders, is seriously disturbing. This kind of music hinders
these goals. What are young women and girls supposed to believe? When they are
hearing music, perhaps not to this extreme, but of a similar tone, everywhere
they go? Where does their value stem from? In the second quote, T.I. uses
semi-violent language, saying "get her out dem tennis shoes" and
"Throw some heels on a b****". The use of the words of "get her
out" and "Throw" should be used with caution, which this rapper
seems to throw to the side. Here, he excuses violence and does not ask the
woman's opinion. It seems that in his view, the woman's opinion is equivalent
to the opinion of an armchair. The song propagates violence against women,
degrades them and places all value on
their physical appearance. The fact that this music made the Billboard top 40
is troubling. We must ask why this happens and what the repercussions are.
Despite the plethora of sexist
music being played on a daily basis all over the place, there is still a small
voice, a small minority of songs which seek to empower women. A few examples
include "Can't Hold Us Down" by Christina Aguilera, "Run the
World (Girls)" by Beyoncé, and "Girl on Fire" by Alicia Keys. These
songs are few and far between, but their existence gives hope to the cause for
the advancement of women. Their popularity is encouraging, illustrating some
connection between listeners and the lyrics of these songs. It is imperative
that the music that we so often hear, that puts down our sisters, our friends,
our mothers, and all the women who surround us every day does not suffocate the
causes of feminism and the small voice which represents it, and that it is given the chance to
be heard.
Although much of the music
playing today provides a voice to love, relationships, and even fun, it also
provides a voice for sexism and unabashed disrespect. This music exposes the ever-present
sexism that still exists today. One blaringly shocking example, a song which
made the Billboard Top 40, is "No Mediocre" by artist (if you call
this art) T.I. (pictured, left) The song is so blatant in its sexism, it is difficult to
comprehend how it made it to the top 40- it is problematic for many, many reasons.
At its base, the song propagates the idea that women are only valuable for the
physical attributes, if not, they must be considered 'mediocre' or lacking in
some way. In the song, the rapper states that "Pretty face, fat a**, if
she don't have one of these, well I think I'll pass" and he describes
himself on vacation, saying "I'm in Brazil with a b****, Catch me in a
mansion in the hills with a b****, Get her out dem tennis shoes, Throw some
heels on a b****". First of all, T.I. states that the only criteria that
he looks for are a woman's physical attributes. The only criteria. Not a
combination of her golden tresses and her master's degree in electrical
engineering, just her appearance. This propagates the idea that a woman does
not hold value outside of her appearance- this in a time when we are trying to
encourage women to explore relatively 'new' fields for women, such as
engineering, computing, and other sciences and to reach beyond the established
norms, to become leaders, is seriously disturbing. This kind of music hinders
these goals. What are young women and girls supposed to believe? When they are
hearing music, perhaps not to this extreme, but of a similar tone, everywhere
they go? Where does their value stem from? In the second quote, T.I. uses
semi-violent language, saying "get her out dem tennis shoes" and
"Throw some heels on a b****". The use of the words of "get her
out" and "Throw" should be used with caution, which this rapper
seems to throw to the side. Here, he excuses violence and does not ask the
woman's opinion. It seems that in his view, the woman's opinion is equivalent
to the opinion of an armchair. The song propagates violence against women,
degrades them and places all value on
their physical appearance. The fact that this music made the Billboard top 40
is troubling. We must ask why this happens and what the repercussions are.
What does it say about our society?
Not only is this music being created, funded, and produced, it is popular
enough to make the Top 40. It is important to remember that music in popular culture,
represents that culture; what it is like and what it could become. My personal
opinion of the "No Mediocre" example, illustrates an artist with
severe inferiority issues. That opinion aside, this type of music may represent
some sort of inferiority issues in society- where women are repeatedly being
put down and their value being misplaced because
of advancements for women. It could be a response- an attempt to elevate
the place of men in the world and suffocate women and their self-worth. In
addition, it's popularity is troubling- it illustrates that women still are not
being represented properly and their most important assets, like their
intelligence, creativity, and self-empowerment, are not given appropriate, if
any, value.
Despite the plethora of sexist
music being played on a daily basis all over the place, there is still a small
voice, a small minority of songs which seek to empower women. A few examples
include "Can't Hold Us Down" by Christina Aguilera, "Run the
World (Girls)" by Beyoncé, and "Girl on Fire" by Alicia Keys. These
songs are few and far between, but their existence gives hope to the cause for
the advancement of women. Their popularity is encouraging, illustrating some
connection between listeners and the lyrics of these songs. It is imperative
that the music that we so often hear, that puts down our sisters, our friends,
our mothers, and all the women who surround us every day does not suffocate the
causes of feminism and the small voice which represents it, and that it is given the chance to
be heard. 

